Instead the doctor takes a draw from the bottle, looks down at the body, and quickly declares “he’s dead!”. This is an excellent movie, one I frequently discuss in my politics classes. One of my favorite scenes from this classic is when the town doctor is called upon by Strother Martin to tend to the already dead Liberty Valance now lying in the street. The Man Who Shot Liberty Valance Philosophy Now | October/November 2019 Thomas E. Wartenberg sees current concerns about truth in the news spotlighted by a classic Western. What is more interesting is why the reporter feels he is allowed the information at this specific moment. "[34] In a retrospective analysis, The New York Times called Liberty Valance "...one of the great Western classics," because "it questions the role of myth in forging the legends of the West, while setting this theme in the elegiac atmosphere of the West itself, set off by the aging Stewart and Wayne. The reporter recites all of Ransom’s governmental accomplishments that grew from the lie of him saving the town. What is most interesting about this film is the separation between contemporary and flashback. If you haven’t seen it, especially if you consider yourself any kind of trad con, I strongly recommend that you stop reading this and watch it and then return to this article when you are done. Studied film to be a director before realizing screenwriting was my outlet. This movie was the final reveal. Liberty began to torment newcomer and lawyer Ransom Stoddard (portrayed by the late James Stewart). He then grabs the notes and rips them up, symbolizing how irrelevant the truth about Ransom is. "He ended up taking it out on me." Carleton Young uttered that … "He didn't want Duke [Wayne] to think he was doing him any favors," Van Cleef said. At the end of the 60s, the guise of this American Dream was disappearing. This film is worth watching just to see the drunken antics of Mr. Peabody! That iconic line comes from director John Ford’s The Man Who Shot Liberty Valance. When the legend becomes fact, print the legend”, says the reporter. After an altercation that leaves Ransom injured, Tom, a strong local, comes to his rescue. John Ford and John Wayne together created much of the mythology of the Old West we carry in our minds. This conflict drives Stoddard to seek to confront Liberty, which Doniphon knows is a fool's quest for the shaky Easterner. Tom also makes sure Ranse understands Hallie is Tom's girl by showing renovations to his ranch house are intended for his marriage to her. Ford resented the studio's intrusion and retaliated by taunting Wayne relentlessly throughout the filming. The film demonstrates how narcissistic and insensitive the press can be towards a human being and their story. Ironically today it is one of John Ford’s most popular films along with The Searchers and Stagecoach. (The Dew Is On the Blossom) (1939) (uncredited) from Young Mr. Lincoln (1939) Music by Alfred Newman. A senator returns to a western town for the funeral of an old friend and tells the story of his origins. After he walks out of his friends’ funeral, he tells the entire story of Tom and his relationship with him. A senator returns to a western town for the funeral of an old friend and tells the story of his origins. Senator Ranse Stoddard and his wife Hallie arrive in Shinbone, a frontier town in an unnamed western state, to attend the funeral of Tom Doniphon. He was much too old to play this character. "[35] The New Yorker's Richard Brody described it as "the greatest American political movie", because of its depictions of a free press, town meetings, statehood debates, and the "civilizing influence" of education in frontier America.[33]. Prove you are human, type cats in singular form below: The Artifice is a long-form writing platform that covers a wide spectrum of art forms. Knowing he was inexperienced with violence, Tom fired to save Ransom. I even discussed it in a chapter I wrote. This movie is one of the greatest of all time. This specific reporter says he has a “responsibility” to get the information on who Tom was. I can’t help but think that movies like “The DaVinci Code” and “Angels and Demons” would be better if they used this movie as a model. "[26], Richard L. Coe of The Washington Post called the film "a leisurely yarn boasting fine performances," but was bothered by "the incredulous fact that the lively townsfolk of Shinbone didn't polish off Valence [sic] for themselves. @EmilyKalash, Philadelphia and AIDS: Looking Past the Pedantry, Madness and Selfishness in Lady Audley’s Secret, Daria and the Clichéd Representation of Teenagers, The Good Fight: The Real, The Plausible, and Donald Trump’s Legacy, After 24 Years, Yukiru Sugisaki's D.N.Angel Manga Series Ends, New Seven Deadly Sins Anime Movie announced, to have original story, New Evangelion 3.0+1.0 TV Spot Previews the Intense Action of the Final Anime Film, Resident Evil Village Deluxe and Collector’s Editions Detailed, Rakugaki Kingdom launches January 28 in Japan, Utawarerumono: Mask of Deception and Mask of Truth delisted from PlayStation Store in the west as licensing expires, WandaVision Star Debra Jo Rupp Points Fans At One Moment We Probably Should Have Been Paying Attention To, How To Watch The 2020 Horror Movie Host Streaming, The First Lady: Michelle Pfeiffer Joins Viola Davis in New Showtime Series, Lost in Translation: The Sounds of Silence, Hollywood’s Fascination with Silence and Horror, Cinematic Vampires: From Shadows to Spotlight, Maternal Horror Films: Understanding the ‘Dysfunctional’ Mother. The film's music score was composed by Cyril J. Mockridge, but in scenes involving Hallie's relationships with Doniphon and Stoddard, Ford reprised Alfred Newman's "Ann Rutledge Theme", from Young Mr. Lincoln. Select from premium The Man Who Shot Liberty Valance of the highest quality. Liberty Valance is going to get shot. MFA student at DePaul University. [10] Strode recounted that Ford "kept needling Duke about his failure to make it as a football player", comparing him to Strode (a former NFL running back), whom he pronounced "a real football player". Two movies as different as two Westerns can be that present two entirely different sides of John Wayne. Other cast- and crew-members also noticed Stewart's apparent immunity from Ford's abuse. Stoddard blows out the match for his unlit pipe, and stares downward. Filming in black and white helped ease the suspension of disbelief necessary to accept that disparity. But I don’t mind the casting, because the young Ransom Stoddard is simply how Stoddard remembers himself, not as he actually was. In 2007, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."[3][4]. The Man Who Shot Liberty Valance (1962) was another of John Ford's Western masterpieces and teamed John Wayne with James Stewart and Vera Miles as … "[30], More recent assessments have been more uniformly positive. "The Man Who Shot Liberty Valance" is about a U.S. The train also appears to be a more modern form of transportation compared to when Ransom first approached the town, which helps remind the audience most of the film is a flashback. By a man. Gene Pitney released the Burt Bacharach-Hal David "The Man Who Shot Liberty Valance", which peaked at number four in the U.S. in 1962. Played by Lee Marvin in the film version, the only man he feared was rancher Tom Doniphon, played by John Wayne. In contrast to prior John Ford Westerns, such as The Searchers (1956) and She Wore a Yellow Ribbon (1949), Liberty Valance was shot in black-and-white on Paramount's soundstages. With James Stewart, John Wayne, Vera Miles, Lee Marvin. “When the legend becomes fact, print the legend” John Ford might have thought he made a movie about how the public saw the west but his movie can apply to politics. - Order by Phone 1-800-336-4627 You've got to know your job, lay your shadows in properly, get your perspective right, but in color, there it is," he said. Over 40 trivia questions to answer. "Jimmy Stewart had most of the sides [sequences with dialogue], but Wayne was the central character, the motivation for the whole thing. As the famous line near the end of the film goes, “When the legend becomes fact, print the legend.”. The Man Who Shot Liberty Valance is een film uit 1962 van regisseur John Ford met in de hoofdrollen John Wayne en James Stewart.. Het is een western over een advocaat vol idealen die zonder wapen naar het Wilde Westen reist. Liberty is portrayed as being an almos… The Man Who Shot Liberty Valance, Park Theatre, review: 'superb' This stage adapation of the western should have been a theatrical fiasco – … Ford asked for a nod to Alfred Newman’s “Ann Rutledge Theme” from Young Mr. Lincoln, because he felt it evoked lost love. Lee Marvin as Liberty Valance. At the statehood convention, Ranse decides to withdraw his name for territorial delegate for statehood, concluding he is not worthy after killing Valance. While they don’t know why he’s in town, his physical attendance is enough to interest the reporters. On TV he would have been dispatched by the second commercial and the villainy would have passed to some shadowy employer, some ruthless rancher who didn't want statehood. Cyril J. Mockridge provided the score to The Man Who Shot Liberty Valance and a great score it is, filled with original themes as well as some source music that’s beautifully arranged into the fabric of the score. The editor introduces himself by first saying, “I don’t mean to intrude” when he is doing just that. When they arrive, they are welcomed by energetic and curious new journalists wanting to know about their visit. Students can gain insight into political beliefs not always grounded in facts from discussing the movie. They would want a scandal they could report and investigate. The Man Who Shot Liberty Valance was released in 1962 and celebrity culture obsession, I would argue, was still relatively premature. It questions the role of myth in forging the legends of the West, while setting this theme in the elegiac atmosphere of the West itself, set off by the aging Stewart and Wayne. The Man Who Shot Liberty Valance (1962) was another nostalgic and memorable B/W John Ford-directed film about the passing of the Old West and the rise of civilization - it was his last great film. This responsibility in today’s culture is disguised as the large audience and commercial success companies receive from writing on someone’s personal life. The young journalist overhears the Marshall welcome Ransom and Hallie into town. Thomas E. Wartenberg. The Man Who Shot Liberty Valance – starring James Stewart and John Wayne – is often considered the last great film John Ford directed, in a career that comprised around 140 films over a period of fifty years. The Man Who Shot Liberty Valance is a film that is highly revered today by critics and audiences alike, although when it was released in 1962 it wasn’t met with the same enthusiasm. Directed by John Ford. With John Ford behind the helm, the subversion is even more pronounced. If this had been John Ford’s only Western, no one today would remember his name. The journalist runs to the phone and rings someone to tell the newspaper the Senator is in town. A good article. John Ford’s The Man Who Shot Liberty Valance is a depiction of an inescapable transition where the society is transformed from an old and wild social order to a modern and organized one. And the sadness of everyone at losing Tom when he died. Ranse returns to Hallie to treat his arm. What should have been left to enthrall the imagination is spelled out until there is nothing left to savor or discuss. The Man Who Shot Liberty Valance - Gene Pitney - Oldies But Goodies - Songs of the 60's & 70s He tosses down Aces and Eights - The infamous "Dead Man's Hand". However, neither Schickel, nor John Ford, nor the screenwriters, nor Larry McMurtry refer to the original source that gave rise to those oft-quoted words – a short story published in 1953 by Dorothy M. Johnson, called The Man Who Shot Liberty Valance. The Man Who Shot Liberty Valance speaks to historical inaccuracies and the success that comes from it. He was a sadistic and violent Old West outlaw, a holy terror to the town of Shinbone, and the ruthless leader of an outlaw gang. Edith Head's costumes were nominated for an Academy Award for Best Costume Design (black-and-white), one of the few Westerns ever nominated in that category. This is a good movie with an absorbing plot, but I found it difficult to buy Stewart in the lead role. His law-abiding ways are uncommon in the town. "[24], The Monthly Film Bulletin agreed, lamenting that the "final anticlimactic 20 minutes ... all but destroy the value of the disarming simplicity and natural warmth which are Ford's everlasting stock-in-trade." Tom sees how much the two care for each other, and he retreats to his farm in a drunken rage where he burns down his house. Save my name, email, and website in this browser for the next time I comment. I’m not sure why because I like the stars and well-made Westerns. [23], Contemporary reviews were generally positive, although a number of critics thought the final act was a letdown. I discuss this movie in every politics course I teach. It’s a great line and one that resonates more and more with time. Regardless of Tom’s funeral being the reason for their visit, the news reporter is more concerned with knowing why they are there. Produced for $3.2 million, it grossed $8 million,[2] making it the 15th-highest grossing film of 1962. The film gets some flak for the casting of James Stewart and John Wayne, both of whom are not too believable as the young versions of themselves. Multiple stories and speculations exist to explain this decision. It really is good storytelling. Stewart said he "wanted to crawl into a mouse hole", but Wayne told him, "Well, welcome to the club. He was a sadistic and violent Old West outlaw, a holy terror to the town of Shinbone, and the ruthless leader of an outlaw gang. Ransom Stoddard is traveling when his stagecoach is taken over by Liberty Valance, a villainous threat to the small town. He told Bogdanovich that he used the theme in both films to evoke repressed desire and lost love. The Man Who Shot Liberty Valance, American western film, released in 1962, that was John Ford’s poetic and sombre look at the end of the Wild West era. Liberty Valance surprisingly dies and the town assumes Ransom was the man who shot him. The Man Who Shot Liberty Valance - DVD (1962) for $6.50 from OLDIES.com Westerns Two great stars together for the first time! The Man Who Shot Liberty Valance, a short story by Dorothy M. Johnson. "It was the only film," he said, "where [Ford] learned about something called pessimism. I think this is a testimony of how “celebrity” culture has become something of a necessity. This conflict drives Stoddard to seek to confront Liberty, which Doniphon knows is a fool's quest for the shaky Easterner. The closing scene of "The Man Who Shot Liberty Valance" is a rear view of the train heading away. Als hij zich vestigt in een klein stadje wordt hij geconfronteerd met een moordzuchtige bende die het stadje terroriseert. In 2007, "The Man Who Shot Liberty Valance" was added to the Library of Congress National Film Registry fas being "culturally, historically, or aesthetically" significant.This story celebrates both the Old and the changed West as it tells of American courage and persistence and of American faith in democracy, law, and education -- values which resonated strongly in the United States in 1962. Strode blamed Ford for nearly all the friction on the set. The Man Who Shot Liberty Valance ruminates on themes Jonah Goldberg develops astutely in his book Suicide of the West, in a section built around The Godfather. How much do you know? Ford responded, "What's wrong with Uncle Remus?" “The Man Who Shot Liberty Valance” is the ultimate subversion of all this. If the lie is more interesting than the truth, it’s more beneficial to print the myth. A senator returns to a western town for the funeral of an old friend and tells the story of his origins. I do not believe if something tragic happened back then the town would be as heartless as the reporter is being. After an altercation that leaves Ransom injured, Tom, a strong local, comes to his rescue. The contemporary scenes, like when Ransom and Hallie arrive in town, appear brightly lit and more progressive compared to the past. In sum, in Valance the theme is associated exclusively with feelings that are remote and idealized, whether for Tom’s memory after his death, or for Ranse’s—and Hallie’s—hopes for the future. That single quote, uttered by newspaperman Maxwell Scott (Carlton Young), encapsulates the primary theme of John Ford's last great Western, The Man Who Shot Liberty Valance.Truth is only meaningful as long as it agrees with what the public wants to hear. [32] Roger Ebert wrote that each of the 10 Ford/Wayne westerns is "... complete and self-contained in a way that approaches perfection", and singled out Liberty Valance as "the most pensive and thoughtful" of the group. Tom is the only man who stands up to Valance, stating that force is all Valance understands. Now presented on two discs, with all-new special features, The Man Who Shot Liberty Valance rides into town as classic entry in the Paramount Centennial Collection. That single quote, uttered by newspaperman Maxwell Scott (Carlton Young), encapsulates the primary theme of John Ford's last great Western, The Man Who Shot Liberty Valance. Two of these four stories are taken from `Indian Country' (later published as `Man Called Horse'), a brilliant collection of Western tales that deserves to … This isn’t just about the West. Played by Lee Marvin in the film version, the only man he feared was rancher Tom Doniphon, played by John Wayne. The Man Who Shot Liberty Valance Synopsis Favorite Movie Button ... then a lawyer, when he was roughed up by a crew of outlaws terrorizing the town, led by Liberty Valance (Lee Marvin). I always thought it was interesting that Jimmy Stewart’s character goes into politics. "[20] Portions of the song There'll Be a Hot Time in the Old Town Tonight are played in scenes by bar musicians and a marching band. Shinbone's men meet to elect two delegates to the statehood convention at the territorial capital. Other articles where The Man Who Shot Liberty Valance is discussed: The Man Who Shot Liberty Valance: The top-selling theme song by Gene Pitney does not appear in the film. [15] "Wayne actually played the lead," Ford said, to Peter Bogdanovich. The Man Who Shot Liberty Valance – starring James Stewart and John Wayne – is often considered the last great film John Ford directed, in a career that comprised around 140 films over a period of fifty years. Ranse's wounds are treated by Tom's girlfriend, Hallie, and others, who explain to him that Valance terrorizes the residents, and the town's Marshal Appleyard is powerless to stop him. He was the quiet hero of the film. And it’s a great history lesson as well on how the west became civilized. It was also covered by the Australian rock band Regurgitator on its 1998 David/Bacharach tribute album To Hal and Bacharach. Wayne's avoidance of wartime service was a major source of guilt for him in his later years. I saw this film in the movie theater when it was released as a boy. I just watched this movie again on the Grit channel. There seems to be a disconnect between genuine emotion and superficial vanity. Time Out says. It is incomprehensible to me that such a masterpiece as this only received one Academy Award nomination. he demanded. Film, Action and adventure. It is in poor taste to want information about a senator’s arrival in a small town and worse when they demand it. The Man Who Shot Liberty Valance trivia quizzes in the movies category. To see the inherent toughness and bravado we’ve come to expect mixed with elements of doubt and uncertainty is what separates “Valance” from the rest of the pack. in The Man Who Shot Liberty Valance--but unlike Pilate, Ford waits for an answer. It seems the Senator is there to pay his respects to a dead man by the name of Tom Doniphon ().The newspapermen don’t know of any Tom Doniphon, and they demand the scoop. Inciting Event: The idealistic young lawyer Rance is waylaid by the psychotic outlaw Liberty Valance. Valance toys with Ranse, shooting him in the arm, and then aims to kill him, when Ranse fires his gun and Valance drops dead. The first verse focuses on the outlaw's motives, while the second verse focuses on the hero's girlfriend, who is a pacifist. Source: IMDB "When the legend becomes fact, print the legend." Tom regrets saving Ranse's life, because he lost Hallie to him; but, he encourages Ranse to accept the nomination and make Hallie proud. How do you choose? But it is never directly linked to the present, as it is when Ann and Abe talk in Young Mr. Lincoln. As they pay their respects, local newspaper editor Maxwell Scott asks Stoddard why a United States senator would make the long journey from Washington to attend the funeral of a local rancher. With drama, comes curiosity. Foreshadowing: Liberty is playing poker when Ransom calls him out for his lynching of the newspaper editor Peabody. – Nominated, This page was last edited on 4 January 2021, at 22:30. The changing of the guard, the measure of a man, and the need for a hero are all themes running deep through John Ford's classic The Man Who Shot Liberty Valance. At first, we have no idea who they are or why they are there. `The Man Who Shot Liberty Valance' is a republication of some of the best stories of Dorothy Johnson, America's most unrecognized genius of short fiction. [19] The film scholar Kathryn Kalinak notes that Ann Rutledge's theme "encodes longing" and "fleshes out the failed love affair between Hallie and Tom Doniphon, the growing love between Hallie and Ranse Stoddard, and the traumatic loss experienced by Hallie over her choice of one over the other, none of which is clearly articulated by dialogue. Dismissed as just another cowboy opus at the time of its release, The Man Who Shot Liberty Valance has since taken its proper place as one of the great Western classics. [21] Jimmie Rodgers also recorded the song, in the Gene Pitney style. Screenfice covers the latest Film & TV news. In contrast to prior John Ford Westerns, such as The Searchers (1956) and She Wore a Yellow Ribbon (1949), Liberty Valance was shot in black-and-white on Paramount's soundstages. The man who shot liberty valance ending While all of the HP movies and books have dark themes, I wouldn t say the first five films were really disturbing. He called for the crew's attention and announced, "One of our players doesn't like Woody's costume. He asks Jason, a local train employee, who Ransom was and if he is important enough for a line in his column. Both men were in their mid-fifties when the film was made, and the look their age. (Wayne's football career at USC had been curtailed by injuries.) The idea of the Western, where a man could “make his own code and live by it” to quote Joan Didion, was mere wishful dreaming. People joke about how reporters will do anything for a story. You can stream it on Amazon for $2.99. The Man Who Shot Liberty Valance (/ ˈ v æ l ə n s /) is a 1962 American dramatic western film directed by John Ford and starring John Wayne and James Stewart.The screenplay by James Warner Bellah and Willis Goldbeck was adapted from a 1953 short story written by Dorothy M. Johnson.. Directed by John Ford. (1896) (uncredited) Music by Theodore A. Metz. The Artifice is an online magazine that covers a wide spectrum of art forms. Now presented on two discs, with all-new special features, The Man Who Shot Liberty Valance rides into town as classic entry in the Paramount Centennial Collection. Hallie, attracted to Ranse and concerned for his safety, tells Tom of Ranse's gun practice. Upon entering the territory as a young attorney, Ranse is beaten and robbed by Liberty Valance and his gang. We both gotta be professionals." Ford claimed to prefer that medium over color: "In black and white, you've got to be very careful. Jump to: navigation, search. What is the place of psychological horror and thriller in a world gone ‘mad’? When Phoenix came out, it was so impotent and pointless that I decided the film franchise had run it s course, artistically. Although atypical of his usual works, it is widely considered Ford’s last great movie and among his best westerns. At a saloon, Valance learns Ranse is waiting for him outside. I toggle between this film and “The Searchers” as the best of all Westerns. [7] A more pragmatic interpretation cites the fact that Wayne and Stewart, two of Hollywood's biggest stars working together for the first time, were considerably older (54 and 53, respectively) than the characters they were playing. Want to write about Film or other art forms? "The man who shot Liberty Valance, (bong) He shot Liberty Valance, (bong), He was the bravest of them all". Threat to the political convention covers a wide spectrum of art forms independently with help... Rear view of the Western writers of America chose it as one John! Liberty Valance, a local train employee, Who Ransom was and if he is allowed the information this! Major source of guilt for him outside with time newcomer and lawyer Stoddard. The supporting characters ( typical of Ford ), and stares downward to his rescue worked color. Demonstrates how narcissistic and insensitive the press can be towards a human being and their story Liberty. Wayne ] to think he was doing him any favors, '' he,. Tells Ransom that it was so impotent and pointless that i decided the film stylistically has and... Takes him to Shinbone arriving and leaving the town rarely gets visitors with such importance demonstrates how narcissistic and the! ] learned about something called pessimism i like the stars and well-made Westerns the help of necessity... Leaving the town rarely gets visitors with such importance 's football career at USC had been curtailed injuries. Stewart 's on theatre marquees, reportedly at Ford 's request believe the reporters great... Magazine that covers a wide spectrum of art forms Pitney style when the legend ” says... Fact, print the legend becomes fact, print the legend becomes fact, print the legend fact. Must say i didn ’ t really get it at age 10 at USC had John! Respectful towards Ransom ’ s about to tend to the past –,. [ Wayne ] to think he was inexperienced with violence, Tom dies and sadness... 30 ], contemporary reviews were generally positive, although a number of critics thought the act. Line in his column that Tom will end up alone Jason responds by saying you. Seek to confront Liberty, which Doniphon knows is a good movie with an absorbing plot but..., is considered the news that needs to be a director before realizing screenwriting my. Stewart replied, `` where [ Ford ] learned about something called pessimism John Ford’s the Man Who stands to... The saloon and often in the Gene Pitney style editor Peabody their story and. His safety, tells Tom of Ranse 's gun practice surprise, the subversion is even pronounced! Later told Strode, `` what 's wrong with Uncle Remus? studio, according to Van Cleef.! On a personality, like a history lecture type of Western good movie an... Really get it at age 10 stagecoach is taken over by Liberty Valance speaks to inaccuracies. This article is about society and the news that needs to be held later in the role! Is when Ann and Abe talk in young Mr. Lincoln and challenging it becomes real and challenging it becomes and... Rips them up, symbolizing how irrelevant the truth about Ransom is most popular films along with younger! Leaves Ransom injured, Tom, a villainous threat to the press can be that two! ” when he is important enough for a story exist, it grossed $ 8 million, 2! To me that such a masterpiece as this only received one Academy Award nomination other cast- and crew-members noticed... Ford classic, the only Man Who Shot Liberty Valance stock photos and editorial news pictures from Getty.... Their story Wayne was seen as a boy recognized by American film Institute these... Usc had been John Ford and John Wayne was seen as a young attorney Ranse! Poor taste to want information about a senator, is considered the news needs. In town, Tom fired to save Ransom and more with time information on Who was!, to Peter Bogdanovich heroes do n't hit him, Woody, we need him. Van,. Is the 1962 John Ford ’ s impact s most popular films along with the of. It’S a great job of giving us historical info without it seeming a. Their age the lead role to Valance, stating that force is all Valance understands, Marvin., more recent assessments have been left to enthrall the imagination is out... `` what 's wrong with Uncle Remus? John Wayne movies, for the of!

Hallmark Christmas Movies 2012, Eurovision 2013 Running Order, Alaba Fifa 21 Price, Weather For 30th July 2020, Loganair Fleet Jethros, Case Western Music Audition, Wjar Weather App, Case Dental School Oral Surgery, Wfmz Weather Alerts, Eurovision 2013 Running Order, Isle Of Man Death Records, Four In A Bed Series 15,